{"id":2856,"date":"2020-06-03T14:29:14","date_gmt":"2020-06-03T14:29:14","guid":{"rendered":"https:\/\/dev.irene-schueller.de\/?page_id=2856"},"modified":"2025-02-27T13:30:59","modified_gmt":"2025-02-27T13:30:59","slug":"vita-en","status":"publish","type":"page","link":"https:\/\/irene-schueller.de\/en\/vita-en","title":{"rendered":"Vita"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” equal_height=”yes” content_placement=”middle” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#ffffff” scene_position=”center” top_padding=”5%” bottom_padding=”5%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”left-right” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”.vc_custom_1740663046217{margin-top: 30px !important;margin-bottom: 30px !important;}” text_direction=”default”]\n
\"\"<\/em><\/h5>\n
“I engage humans as physical and social beings, exploring of how they feel and move in society. From these observations, my artistic projects emerge in various media \u2013 film, video, installation, objects and art actions.\u201d<\/em><\/h5>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” bottom_padding=”50px” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”curve_opacity”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Shows, Screenings & other Art Works” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1592150469924{margin-bottom: 20px !important;border-bottom-width: 1px !important;padding-bottom: 10px !important;border-bottom-color: #bfbfbf !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][vc_column_text]2024<\/strong>
\nOrgelfabrik Karlsruhe Durlach<\/em>, as part of Textile Touches of Escape and Migration,<\/a><\/strong> 41 garment artworks and performances will be shown.
\nMore information at www.textile-touches.de<\/p>\n

2023
\n<\/strong>Diversity Day<\/strong><\/em>, lecture and performances with garment art work, produced in the context of \u201eTextile Touches of Escape and Migration\u201c on Diversity Day<\/a>
\n(23rd May) with students of theatre studies,<\/a> University of Economics and Environment, N\u00fcrtingen-Geislingen<\/a>
\n<\/strong>\u00a0\u201esupport\u201c at Schopf 2, <\/em>Freiburg, Reibung\/Friction, <\/strong>video, 2023, Schwebeteilchen<\/strong>, video, 2023<\/p>\n

2022
\n<\/strong>Kick-Off-Event for Textile Touches of Escape and Migration <\/strong><\/a>at the Goethe-Institut Freiburg<\/strong><\/p>\n

2021<\/strong>
\nResearch trip<\/strong> to Costa Rica for the documentary The Sound We Make<\/strong>, shooting<\/p>\n

2020
\n<\/strong>SOLO<\/a>, @ Cafe Ruef, Freiburg,<\/em>\u00a0Long Time No See, 2020
\n<\/strong>Neu:Denken<\/em><\/a>, Delphi-Space, Freiburg,\u00a0Painting\u00a0<\/strong>(1,60 m \u00d7<\/b>\u00a00,90 m, acrylic on canvas, without title), 2020
\nFrauen.Gestalten<\/a><\/em>, Karl Rahner Haus, Freiburg, Long Time No See\/Schutzkleid<\/strong>, (photography, object, video)<\/p>\n

2019
\n<\/strong>Debut<\/em>, installation\u00a0Gathering<\/strong>\u00a0at Depot K, Freiburg\/Germany
\nTango on a Visit<\/strong>, Germany, 2017, documentary, 52 min, further screenings in arthouse movie theatres in Germany and The Netherlands
\nResearch trip<\/strong> for Textile Touches of Escape and Migration<\/strong> to Lesvos\/Greece and Moria<\/p>\n

2018
\n<\/strong>The Room in the Back<\/em>, group exhibition\/paintings, studio Hugo Cardona, Baden Baden\/Germany
\nTango on a Visit<\/strong>, Germany, 2017, documentary, 52 min, further screenings in arthouse movie theatres in Germany and The Netherlands<\/p>\n

2017
\n<\/strong>Tango on a Visit<\/strong>, Germany, 2017, documentary, 52 min, screenings on festivals and in arthouse movie theatres in Berlin, Hamburg, Freiburg, Leizpig, Cologne, Frankfurt and more, more information on\u00a0www.tango-on-a-visit-film.de<\/a><\/p>\n

2016\u2028<\/strong>
\n\u201cThe Camps of Resistance and Fields of Consciousness\u201d,\u00a0poem<\/strong>\u00a0and photos of the installation\u00a0Swings Two, Three, Four<\/strong>\u00a0in \u2018Levure litt\u00e9raire<\/em>\u2018, International Magazine For Cultural Information And Education<\/p>\n

2015<\/strong>
\nScreening of Umarmung<\/strong>, film, at the Arsenal, Berlin
\nScreening of the 30 minute version of Embrace<\/strong> at the\u00a0Long Week of Short Films Festival<\/em>\u00a0(KanKanMedia), Shanghai<\/p>\n

2014
\nPleasure Trip<\/strong>, artistic event in public space, Freiburg\/Germany
\nScreening of the 30 minute version of\u00a0Tango on a Visit<\/strong>\u00a0at\u00a0Kommunales Kino<\/em>, Freiburg\/Germany<\/p>\n

2013\/14<\/strong>
\nTurf\u00a0<\/strong>and\u00a0knots_1<\/strong>\u00a0(videos) screening at\u00a0Regionale 14<\/em>,\u00a0La Filature,<\/em>\u00a0Mulhouse\/France, group show of regional artists<\/p>\n

2013<\/strong>
\nText and Photography at the\u00a0Triennale<\/em>, Istanbul\/Turkey<\/p>\n

2012\/13<\/strong>
\nTrust Me I am Good for You<\/strong>\u00a0(installation) at\u00a0Regionale 13<\/em>, group show of regional artists at\u00a0City Gallery Stapflehus<\/em>, Weil am Rhein\/Germany<\/p>\n

2012
\nSwing Two<\/strong>\u00a0(installation) at the\u00a0art KARLSRUHE<\/em>\u00a0presented by the magazine \u201cRegioArtline\u201d
\nSwing Two, Three, Four<\/strong>\u00a0(installation) Solo Show,\u00a0Mixed Media<\/em>,\u00a0Ewerk Freiburg<\/em>
\npaintings in the group show\u00a0wieder sehen<\/em>\u00a0at the\u00a0Pedagocial University<\/em>, Freiburg
\nScreening of the videos\u00a0China Taxi<\/strong>,\u00a0Turf<\/strong>\u00a0and\u00a0Knots_1<\/strong>\u00a0in the film night\u00a0Subjective Through the Lense<\/em>\u00a0at\u00a0Ewerk<\/em>, Freiburg<\/p>\n

2011\/12<\/strong>
\nDrawings<\/strong>\u00a0and screening of the video\u00a0Turf<\/strong>\u00a0in the annual group show of the\u00a0State Academy of Fine Arts<\/em>, Karlsruhe
\nScreening of the video\u00a0Exercises<\/strong>\u00a0at\u00a0Regionale 12<\/em>, group show of regional artists in the\u00a0Acc\u00e9l\u00e9rateur de particules<\/em>, Stra\u00dfbourg\/France<\/p>\n

2011<\/strong>
\nBack from China<\/strong>, lecture in the\u00a0Kunstverein, Freiburg<\/em>\u00a0about my stay in China
\nDrawings<\/strong>\u00a0and screening of the video\u00a0Turf<\/strong>\u00a0in the group show\u00a0Kl_asse<\/em>\u00a0at the\u00a0Kunsthalle<\/em>, Bremerhaven
\nFivemeterswing with Bendings\u00a0<\/strong>(object\/installation) in the group show\u00a0Art In The Sunbathing Area<\/em>\u00a0at the\u00a0Sculpture Park Faulerbad<\/em>, Freiburg
\nFivemeterswing<\/strong>\u00a0(rope performance) at\u00a0Frau Freitag<\/em>, performance platform of the\u00a0State Academy of Fine Arts<\/em>, Karlsruhe<\/p>\n

2010<\/strong>
\nScreening of the video\u00a0Knots_1<\/strong>\u00a0at\u00a020_min_of_attention<\/em>, video projection in the pedestrian area in Freiburg, organized by\u00a0RegioArtline
\n<\/em>Paintings<\/strong>\u00a0in a group show at Gallery Art Cooperation, Hamburg
\nprivate spaces<\/strong>\u00a0(installation) at the show\u00a0zh\u00e8 er<\/em>\u00a0(Mandarin for \u2018To Be\u2019),\u00a0Tianjn Academy of Fine Arts<\/em>, Tianjin\/China
\nSolo show with videos at\u00a0Gallery AnniArt<\/em>, 798 Art District, Beijing\/China
\nq\u00f9<\/em>\u00a0(Mandarin for \u2018To Go\u2019), solo show of videos, paintings, drawings at\u00a0plan b<\/em>, showroom in the Brewery Ganter, Freiburg<\/a><\/p>\n

2009 \/ 2010<\/strong>
\nScreening of the video\u00a0Stomach Run<\/strong>\u00a0at\u00a0Regionale 10<\/em>, group show of regional artists at\u00a0Kunstverein<\/em>, Freiburg[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” bottom_padding=”50px” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”curve_opacity”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Vitae” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1592150450673{margin-bottom: 20px !important;border-bottom-width: 1px !important;padding-bottom: 10px !important;border-bottom-color: #bfbfbf !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][vc_column_text]2019 \u2013 2020<\/strong>
\nCurator at “Kulturwerk T66”, Freiburg<\/p>\n

2015 \u2013 2017<\/strong>
\nLecturer for Film Studies, Freiburg University<\/p>\n

2013 \u2013 2017<\/strong>
\nFurther professional training in directing, film editing and production with e.g. Andres Veiel, Reinhild Dettmer-Finke<\/p>\n

2011 \u2013 2013<\/strong>
\nWei\u00dfensee Art Academy<\/em>, Berlin, Prof.\u00a0Else Gabriel (twin Gabriel) and Visiting Prof. Sofia Hulten (Diploma Sculpture 2013)<\/p>\n

2010<\/strong>
\nOne semester at\u00a0Tianjin Academy of Fine Arts<\/em>\u00a0, Tianjin\/China<\/p>\n

2009<\/strong>
\nOne semester at the\u00a0State Academy for Design<\/em>\u00a0(Hochschule f\u00fcr Gestaltung\/HFG)\u00a0Karlsruhe,\u00a0<\/em>Prof. Anna Jermolaewa<\/p>\n

2008 \u2013 2011<\/strong>
\nState Academy of Fine Arts Karlsruhe<\/em>, branch Freiburg, Prof. Leni Hoffmann (Intermediate Diploma 2011)[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” bottom_padding=”50px” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”curve_opacity”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Prizes \/ Grants” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1652262015882{margin-bottom: 20px !important;border-bottom-width: 1px !important;padding-bottom: 10px !important;border-bottom-color: #bfbfbf !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][vc_column_text]2013<\/strong>
\nGrant from the \u2018Female Artist Program\u2019 of the Berlin Senate Chancellery<\/p>\n

2011<\/strong>
\n\u2018Media Art Prize Upper Rhine\u2019[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” bottom_padding=”50px” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”curve_opacity”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Further Professional Training” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1592150480845{margin-bottom: 20px !important;border-bottom-width: 1px !important;padding-bottom: 10px !important;border-bottom-color: #bfbfbf !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][vc_column_text]2013 \u2013 2017<\/strong>
\nMontage \u2013 The Art of Film Editing<\/strong>\u00a0with Nina Baermann,\u00a0Media Academy Freiburg<\/em>
\nStory Development And Counseling For International Cinema Documentaries<\/strong>\u00a0with Arne Birkenstock,\u00a0AG Dok Academy,\u00a0<\/em>Cologne
\nProducing For TV And Reportage<\/strong>\u00a0with Joerg Langer,\u00a0Media Academy Freiburg<\/em>
\nThe Narrative Power of The Beginnings And Ends of Films<\/strong>\u00a0with Kyra Scheuer,\u00a0ifs International Film School\u00a0Cologne
\n<\/em>Documentary Masterclass<\/strong>\u00a0with Andres Veiel,\u00a0Script Camp<\/em>, Berlin
\nScript Development 1<\/strong>\u00a0with Andreas Kirchgaessner,\u00a0Script Camp<\/em>, Frankfurt
\nStory Development for Documentaries<\/strong>\u00a0with Andres Veiel,\u00a0Script Camp<\/em>, Frankfurt
\nDocumentaries for the Cinema<\/strong>\u00a0with Vadim Jendreyko,\u00a0Script Camp<\/em>, Freiburg
\nDocumentary and Reportage<\/strong>\u00a0with Reinhild Dettmer-Finke and Willy Meyer,\u00a0Script Camp<\/em>, Freiburg[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” bottom_padding=”50px” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”curve_opacity”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Film” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1592150498317{margin-bottom: 20px !important;border-bottom-width: 1px !important;padding-bottom: 10px !important;border-bottom-color: #bfbfbf !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][vc_column_text]\n

    \n
  1. Tango on a Visit<\/strong>, 2017, 52 min, documentary<\/li>\n<\/ol>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” bottom_padding=”50px” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=”curve_opacity”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Videos” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” css=”.vc_custom_1592150505961{margin-bottom: 20px !important;border-bottom-width: 1px !important;padding-bottom: 10px !important;border-bottom-color: #bfbfbf !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][vc_column_text css=”” text_direction=”default”]selected<\/p>\n
      \n
    1. Stomach Run, 2009<\/strong>, 2,41 min, loop, sound,<\/li>\n
    2. Dance, 2009<\/strong>, Loop, 18 min, no sound<\/li>\n
    3. Hurt, 2009<\/strong>, 38 min, video performance, sound<\/li>\n
    4. Lines, 2009<\/strong>, 3,39 min, loop, no sound<\/li>\n
    5. China Taxi, 2010<\/strong>, 0,43 min, sound, loop<\/li>\n
    6. Goldfish \/ liyu, 2010<\/strong>, 17 sec, loop, no sound<\/li>\n
    7. Turf, 2011<\/strong>, \u00a04:09 min, sound<\/li>\n
    8. Swinging, 2011,<\/strong> 9,33 min, sound<\/li>\n
    9. Exercises, 2011<\/strong>, 5,43 min, sound<\/li>\n
    10. Knotting_1, 2011<\/strong>, 1,23 min, no sound, loop<\/li>\n
    11. A Pleasure Trip, 2019<\/strong>, 1,21 min, sound<\/li>\n
    12. Long time no see\/Schutzkleid<\/strong>, 2020<\/strong>, 9,38 min, sound<\/li>\n<\/ol>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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